James Huctwith, Toronto, Canada

All artworks featured are currently sold.

Artist Spotlight: James Huctwith” – The ADVOCATE, 2011
Moody, masculine, and mysterious, Huctwith’s canvases create testosterone-laced tableaux with virtuoso authority.

November 2011
JAMES HUCTWITH / New Paintings / MEMORY NIGHT

Statement:

This recourse continues my love of working with the human face and figure. It works with historical techniques and means as well, which is pretty much the unbending way I work these days. That’s a mixed blessing in the early 21st century, as being a realist romantic painter isn’t quite what it used to be. Then again, people aren’t just what they used to be, either. At least not under the surface. Or, society, either. So, maybe we’re all keeping in step.

I think it’s really interesting how synthetic our world has become, in what’s called the First World. From every angle, in every place, through every thing, there’s usually something highly artificial altering the works. This includes us, as people.

People used to have to deal quite closely with the objects of their attention. Now, we’ve got an electronic intermediary to negotiate between ourselves and a great many things. It’s not just the computer – from housepaint to bottled vitamins, hydroponic tomatoes to romance novels, flatscreen memories and emotions to programmed salespeople – we are saturated in body, mind and possibly soul, by complex manufacturing. Chemicals, money-made images, engineering, searchbots, mass psychology, virtual travel…this is all pretty fascinating.

As a ‘realist’ painter, that puts me in an interesting position.

I also think this near somewhat science-fiction reality (at least a bit sci-fi in my eyes) is what realism now has to include if it’s going to be realistic at all.

These paintings are loaded with disquiet, collisions, uncertainty and up-to-date lies. They’re mediations between extra-human or poisonous influences, I suppose, seen through the lens of the human.

All these paintings are all pretty “quiet”. They’ve been a pleasure to build considerately, taking the time to not shy away from the odd peculiarities and human sympathies that inform them. I think that the more you look at them, the more they’ll imply. I hope you enjoy them.

James Huctwith

Artist Spotlight: James Huctwith

Moody, masculine, and mysterious, Huctwith’s canvases create testosterone-laced tableaux with virtuoso authority.

You can compare Canadian artist James Huctwith to artists from Rembrandt to gay art star Attila Richard Lukacs, but Huctwith brings his own dark melody to his portraits, tableaux, and still lifes. The mainstream art world may view his work as highly sexualized, but the audience on this website may just see that for what it is, not calculated but a means to an end. His authority with the subject matter suggests he is creating from his experience rather than as a shock tactic. Even though his dramatic canvases stage scenes of hallucinatory, murky sexual goings-on. 

User With Gear
15″ x 22″
Oil on Plywood Panel
2011

Winter Solstice
approx 22″ x 28″
Oil on Panel
2004

Brian Finch
16″ x 16″
Oil on Canvas
2008

This Is Helena
7″ x 4″
Oil on Canvas
2013

David Pistilli
20″ x 30″
Oil on Canvas
2008

Revenge Mechanism (triptych interior)
22″ x 60″ (open)
Oil on gessoed panel
2004

White Portrait (Self-Portrait)
approx 12″ x 16″
Oil on Canvas
2004

Knock Yourself Out
15″ x 22″
Oil Painting on Gouged Plywood Panel.
2009

The Miracle Of The Bread
16″ x 24″
Oil on Canvas
2012

Monster (triptych interior)
22″ x 60″ (fully open)
Oil on Panel
2004

Armwrestling
6″ x 6″
Oil on Canvas
2005

Havana (#2)
approx 28″ dia
Oil on Panel
2006

Helene
12″ x 12″
Oil on Panel
2011

Birdcatcher (tiptych interior, open)
22″ x 50″ (open)
Oil on plywood panel
2004

Man With Headdress
3×4″
Oil on Wood
2007

Nightshade

Oil on Panel
12″ dia
2004

Portrait of a Man Leaving a Hospital
15″ x 22″
Oil Portrait on distressed plywood panel with mixed-media assemblage.
2009

Father’s Milk
4″ x 5″
Oil on Canvas
2003

The Dispatchment
4″ x 4″
Oil on Canvas
2010

Angel No (a)
4″ x 5″
Oil on Canvas
2010

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