Sleep, oil on canvas, 48 x 36 inches, 2004 K, oil on canvas, 48 x 64 inches, 2005 The Early Years, oil on canvas, 36 x 48 inches, 2005 Love Disguised as Sex,
oil on canvas, 48 x 64 inches, 2004 Tar, oil on canvas, 112 x 60 inches, 2006 Bloody Hell, oil on canvas, 96 x 48 inches, 2006 Pennies from Heaven, oil on canvas, 48 x 48 inches, 2006 Nuclear Child, oil on canvas, 96 x 48 inches, 2006 The Prayer, oil on canvas, 60 x 70 inches, 2006 Rag and Bone, oil on canvas, 64 x 48 inches, 2006 The Marriage Proposal, 
oil on canvas, 36 x 48 inches, 2005 Warning, oil on canvas, 48 x 64 inches, 2005 The Fall, oil on canvas, 48 x 36 inches,
2004 Flinch, oil on canvas, 48 x 36 inches, 2003

December 2011

La Petite Mort Gallery presents:

FRANCOIS ESCALMEL / NEW PAINTINGS
with guest artist ALEX PRODUKT

December 2, 2011 – January 1, 2012
Vernissage Friday December 2 / 7 – 10pm
Beats by BIG MAC DADDY
Proudly sponsored by CKCU 93.1 FM & MERCURY

Artist Statement:
“More and more of my paintings have an air of re-routed fairy-tales. These made-up stories, inhabited by well-defined characters are given a contemporary spin and explore themes that I hope resonate with our current times. Set in a stage-like environment, figures emerge in a mise-en-scène that alludes to psychological interior dramas. Often tinted with humor, it is a world where childhood and adulthood seem endlessly intertwined. Sincere, unyielding and unsettling, these tableaux leave a vivid record. The actors, rich and iconic, entrenched in their dreamlike reality, vibrate with fear, wonder, surprise, longing, uncertainty, hope.

When I create a painting, I’m not looking for a coherent narrative. I prefer elusiveness, mystery. It’s a search for the point of reunion between the universal and the individual. I surrender to emotions and to the complex experience of the painting craft, taking these invisible matters and thrusting them into being, into physicality with each mark of the brush. Somehow, as time is stopped by this incredible process, an emotional sense is given, disclosed by a myriad of possible interpretations, an invitation extended to the viewer to create meaning.

Increasingly, I find myself looking to the recent past for the sources of my iconography. I’m tapping in the luscious brushstrokes of the golden age of illustration. I’m also searching for inspiration in the shaky patented magic of traditionally made cartoons (dessin animé). These are not merely appropriated but reenacted (with make-up and costumes). Tales, subverted, fractured, open-ended, re-formed, re-imagined, given a new life, a new voice to comment on contemporary events. And so the past merges with the present, high art and popular culture mesh, embrace and speak volumes!

This diversity of references is given an echo in the representation of space. Verisimilitude is at times breached. Gone is the box-shaped, unifying perspective. Objects, decors and sometimes even people lose their depths, tonality gives way to hard flat colors. Space folds and unfolds between the second and the third dimensions. While it is important for me to draw the viewer in, I also relish sometimes in cutting the illusion open: the artifice is exposed, believability dies and a few inches away is born again! At the core of these explorations are questions of existence and identity.

I’m a storyteller working with the absence of words. A grassroots revisionist of my personal history. With an attitude that oscillates between fascination and criticism, I strive to create dark and comical fables, that I hope, are relevant. Improbable combinations that emotionally ring true, affirmative expressions of the human experience”.

– François Escalmel, 2011

Alex Mclean (aka Produkt) is an artist who is interested in rendering hysteria through the use of scale and context in an attempt to conjure up a bastardized reality a few steps removed from our own. Something about Dunce caps and grotesquely long beak/masks conjure up a sort of cultivated idiocy in a lucid- dream like alternate reality.
He attempts to experience what he is painting and invites the viewer to do the same.

He is equally at home painting on a canvas or in a dark city alleys and frequently hand paints elaborate wheat pastes that he pastes up in visible areas or paints them directly onto the surface in a variety of mediums. These are often rapidly destroyed. He has also worked extensively in traditional 2d animation techhniquesproducing
animated videos for likes of musicians such as Lhasa de Sela (rip), Patrick Watson, and Martha Wainright. He once owned a goldfish but it died.

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