‘Deadly Friends’ by Patrick Lee, Los Angeles
Unique & Rare ‘zine style fold-out publication featuring portrait from the ‘Deadly Friends’ series, featuring intimate photographs of subject/model ‘Trusty’.
Original size when folder: 4.25 x 5.5 inches. Measures 11 x 17 inches. Acquired directly from the artist as a gift. This item not available to the public. Collector’s item.
Asking USD$65.
Also available.
Patrick Lee Exhibition card. Measures 6 x 8.25 inches. Very heavy stock paper. Ameringer McEnery Yohe Gallery, New York, April 25 – May 25, 2012 . See photo for details.
Asking USD$15.
Patrick Philip Lee (b. 1969 in Butte, Montana) attended the Minneapolis College of Art & Design from 1988 to 1989.
He has been the subject of solo exhibitions at the Huntington Museum of Art, Hungtington, WV; Western Project, Los Angeles, CA; and Ameringer | McEnery | Yohe, New York, NY.
Lee’s work has been included in group exhibitions at numerous international institutions including the Blanton Museum of Art, Austin, TX; The Community Centre, Paris, France; The Drawing Center, New York, NY; Huntington Museum of Art, Huntington, WV; Minneapolis Institute of Art, Minneapolis, MN; Oakland University Art Gallery, Rochester, MI; Pizzuti Collection, Columbus, OH; Studio Cannaregio, Venice, Italy; Tang Teaching Museum, Saratoga Springs, NY; Urban Institute for Contemporary Arts, Grand Rapids, MI; and Weatherspoon Art Museum, Greensboro, NC.
His work may be found in the permanent collections of the High Museum of Art, Atlanta, GA; Huntington Museum of Art, Huntington, WV; Los Angeles County Museum of Art, Los Angeles, CA; Minneapolis Institute of Art, Minneapolis, MN; The Museum of Fine Arts, Houston, Houston, TX; Pizzuti Collection, Columbus, OH; and the Taylor Art Collection, Denver, CO.
Lee is the recipient of awards and accolades including the Walter Gropius Master Artist Fellowship, Huntington, WV; the Peter S. Reed Foundation Achievement Award, New York, NY; and the Nikon 2000 Grand Prize, among others.
The artist lives and works in Los Angeles, CA.
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PATRICK PHILIP LEE | LOS ANGELES TIME
WESTERN PROJECTS
30 JUNE 2011
by David Pagel
Patrick Lee’s gorgeous portraits of tough young men are great works of art because they entice you to imagine what it might be like to live in someone else’s skin.
If you don’t like yourself, that can be a relief. If you’re in love with yourself, it can be scary. And if you’re like most folks, your self is too complex to be captured by such black-and-white, all-or-nothing descriptions.
Just where one’s self ends and someone else’s otherness begins is the question Lee’s drawings ask of everyone who lays eyes on them and is not scared off by their power.
At Western Project, the 41-year-old artist’s second solo show in Los Angeles consists of seven graphite drawings of seven men’s heads and a video that is a digital version of a slide show. Made up of still images of guys Lee has photographed in cities across the country, his untitled video also functions as a good old-fashioned sketchbook, where the Montana-born, L.A.-based artist gathers observations, studies his subjects, tries out ideas and experiments with compositions.
His drawings are masterpieces in which nothing is left to chance. Absolutely everything is executed with patient perfectionism. Each pore, hair, thread of fabric and glistening highlight is a testament to Lee’s devotion to the observable world and to the human sentiments embodied by men who look like they might never let a lover get this close to them.
Collectively titled “Deadly Friends,” Lee’s drawings go heads and shoulder above those types of virtuoso draftsmanship that are cold and detached, their clinical accuracy a sorry substitute for sympathetic engagement. In contrast, Lee’s quietly stunning works are imbued with so much warmth, light and sensitivity that you’d have to be a brute not to see their beauty and a thug not to be touched by their empathy for others, who are nothing — and everything — like our selves.
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Lee was a winner in the Tom of Finland Foundation’s 2003 Emerging Erotic Artist Contest.
It is Lee’s masterful draftsmanship which conveys his understanding of his subjects and the core issue of masculinity. Each image is hand drawn without Photoshop or digital assistance. Akin to a sculptor, the artist invests each facial pore and hair with microscopic detail so the image resonates as a complete emotional picture; an internal and external illumination. In the lineage of Chuck Close and Manet’s realism, Lee forges a contemporary investigation of class and gender roles. His conceptual drawings are compelling mirrors of our societal desire for alpha – heroic strength and control. Yet his subjects are not ideal figures for they embody other human traits such as pride, anger, or pain. As complex portraits, Lee’s images expose the illusion of ‘maleness’ as acquired, not necessarily inherent; external gender characteristics as ever changing and adaptable according to need; a game of adaption and replication to an end.
Lee is currently included in, Drawings for the New Century, at the Minneapolis Institute of Arts. He has exhibited at Ameringer McEnery Yohe in New York, the Francis Young Tang Teaching Museum at Skidmore College, Saratoga Springs, New York, the Weatherspoon Art Museum, Greensboro, North Carolina, Maureen Paley Gallery, London, and the Marc Selwyn Gallery in Los Angeles. He is in the collection of the High Museum of Art in Atlanta, Georgia and the Museum of Fine Arts, Houston, Texas. He is also a recipient of the Peter S. Reed Foundation grant for 2006.
PATRICK PHILIP LEE | THE HERALD-DISPATCH
FAMED CALIFORNIA PHOTOREALISTIC ARTIST PATRICK LEE DOING GROPIUS WORKSHOP, SPEECH AT HMA
11 OCTOBER 2016
As a Hollywood special effects artist, Patrick Lee has worked on such films as “Armageddon” and “Day Before Tomorrow.”
But perhaps his greatest illusion is when Lee picks up a graphite pencil and draws a face.
You can see Lee’s mind-blowing photo-realistic portraits in the “Deadly Friends” exhibit now up at the Huntington Museum of Art as the internationally known and shown L.A.-based Lee is the Walter Gropius Master Artist in October.
The fortysomething Montana-born, and Minneapolis College of Art & Design educated artist speaks about his work during a free public presentation at 7 p.m. Thursday, Oct. 13.
Lee will stay up on the hill this weekend to present a three-day workshop at HMA titled “Drawing Realism” from 9 a.m. to 4 p.m. Friday through Sunday, Oct. 14-16. Visit www.hmoa.org or call 304-529-2701 for workshop fee information or to register.
An exhibit of work by Lee continues on view at the Huntington Museum of Art through Dec. 30.
Lee is internationally recognized for his exquisitely rendered graphite portrait drawings of Los Angeles gang members, an ongoing series appropriately titled, “Deadly Friends.” Lee approaches his subjects on the streets of Southern California and photographs them as studies for his drawings – a process that relies on mutual trust, honesty and relationship-building. Hand drawn and resolved over many months, the artist diligently renders muscles, pores, scars, tattoos, and facial hair in painstakingly accurate photorealistic detail.
Working to find commonalities despite our perceived differences is an incredibly important and timely exercise,” said John Farley, HMA’s Assistant Curator/Preparator. “Lee’s graphite portrait drawings of Los Angeles gang members encourage us to look closer, beyond the often intimidating appearances projected by his subjects. His photorealistic drawings result from hours upon hours of careful observation and meticulous technical brilliance — that much is obvious. But the underlying relationship-building and the artist’s respect for the humanity of his subjects is equally rewarding. Titled ‘Deadly Friends,’ this exhibit offers a truly unique window into aspects of our culture that are both fascinating and fearsome.”
Speaking by phone from L.A., Lee said while he became really busy in Hollywood working on films and commercials in the late 1990s and early 2000s, he would in his spare time go back to his first love of just drawing his friends in, well, not the best situations.
I am really shy so for me to approach someone is a big challenge so I started using friends of mine as source material and doing portraiture, which had never interested me, but I had gotten into the whole mixed martial arts thing when I was starting to draw again and so I would do these post fight drawings with messed up faces and then a gallery owner in town said, ‘hey could you do this bigger?’ ” Lee said.
As it worked out when the CGI and digital take-over started taking work from Lee and similar artists who built practical effects – models and miniatures for special effects, he began turning to drawing as that one gallery show led to a New York art agent picking him up selling his stuff on the East Coast.
I absolutely love to draw and I also love to build things and photograph things so it has always been one of my things that I have been interested in was mimicking things and creating illusions,” Lee said.
To find the rough-hewn subjects for his street portraits, Lee did not have to go far. He just opened his eyes, looked around and would introduce himself to guys on the streets.
At the time I was living in Hollywood it was a lot more rough and tumble,” Lee said. “There were a lot of guys who would get out of jail and get off the bus and there were periods when I didn’t have a car and so I was just walking around and I would see them and I would have my camera in my backpack. I initially didn’t have anything to show them and so they thought I was a cop or a con, like what the hell is a stranger doing coming up to me? But I built a portfolio and in that portfolio was some of the different things I had taken on the streets and I would cut to the chase. It is initially really awkward but once you talk to them, they have street smarts and they know if you are lying or not and they realized that I was not and they did have an appreciation for drawing and tattooing whether they had it done in jail or in the real world.
Lee did his first show in 2005 predating what has become a flood of pop culture TV shows depicting life in American prisons and the impact was felt both in the art community and in L.A., where people saw other people in a new light through Lee’s photorealistic work.
I think you are seeing more of it now but it is kind of rare for people to do either painted portraits or drawings of photorealistic kind of stuff – the computer and photography has taken a bit of that out, since it is not a necessity to labor over it when you can do it quicker,” Lee said. “But there is some tangible experience, and you have a different perspective when you see a real painting done by hand. It just imparts a different feel. Even if it is trying to simulate a photograph or not there is something about it that makes you pause and experience it differently perhaps ubiquitously.”
For Lee, the hardest thing to get right is the eyes which seem to pierce through anyone who views the portraits. He uses a mirror a lot to put the eye in reverse to make sure he is drawing it as real as he can.
I know it is cliche but the eyes are the window to the soul and so I attack the whole thing but that first day I will work on the eyes and on the last day I will work on the eyes and they never seem quite right,” Lee said. “Even when they are done, sometimes I am still working on them in my head.”
Not surprisingly, Lee said his big pieces take up to two months. What is surprising is that he works he will work on five or six drawings at once. While Lee would love to create the special effect to give him “eight arms to do a new series a year” he is superstoked, as the son of two teachers, to pass on tidbits of his trained art knowledge learned both in the classroom, in the studios and on the streets.
It is a real honor and a privilege to come to Huntington,” Lee said. “I love talking about art and especially with other artists and even lay people and people in the street. I am looking forward to letting people know anything I can to help them in terms of the craft and how I am able to achieve from the affects that I have learned mostly through trial and error and from other people. I know every time I start a drawing I feel like I forget how to do it and for a couple of weeks it looks like mud and I feel like I am never going to get out of this, but it is an expectation game and you keep going out and going at it and it starts to realize itself.”
IF YOU GO:
WHAT: Huntington Museum of Art will welcome L.A.-based artist Patrick Lee as a Walter Gropius Master Artist in October when the internationally shown and known artist speaks about his work during a free public presentation.
WHERE: The Huntington Museum of Art is located at 2033 McCoy Road, Huntington
WHEN: 7 p.m. Thursday, Oct. 13
HOW MUCH: Free and open to the public
THE WORKSHOP: Lee will present a three-day workshop at HMA titled “Drawing Realism” 9 a.m. to 4 p.m. Friday through Sunday, Oct. 14-16. Visit www.hmoa.org or call 304-529-2701 for workshop fee information or to register.
THE EXHIBIT: Lee’s mind-blowing exhibition, “Deadly Friends,” is on view through Dec. 30 in the Daine Gallery.