New York: Pau Wau Publications, 2010.
Condition: Fine
Softcover / Measures 7.25 x 9.75 inches / 20 double sided pages / b&w
Signed and Numbered 3/200 / one copy left
200 copies / SOLD OUT

Gift from the artist. Includes handwritten signed personal note from the artist on artist letterhead paper.

Handmade, self-published zine by British photographer Andreas Laszlo Konrath

Appraised at USD$200.

BIOGRAPHY:

I am a London Guildhall University BA graduate, completed in 2003 majoring in Fine Art (with a specialized focus in Photography and Moving Image). Raised in the outskirts of London within an artistic family, I grew up with a keen interest in skateboarding and music, both of which directly influenced my interest in the arts. In 2004 I moved to New York after assisting top-tier portrait & fashion photographers in London and working for a summer at the legendary publication Dazed & Confused. In early years I assisted numerous photographers in New York while also running a small darkroom on Canal Street, where I would carefully develop my own photographs into the early hours of the morning. Those endless hours spent mark the inception of an ongoing love affair with not only the photographic image, but also the process behind it.

My first editorial commission came in 2007 for Interview Magazine and in 2008 I was the recipient of the prestigious PDN’s 30 award. Soon after my work made regular appearances in New York Magazine, The New Yorker, T: The New York Times Style Magazine, Rolling Stone, W Magazine, WSJ. Magazine as well as a myriad of other editorial collaborations over the years.

The photographic process is as much about the production of the image as it is the investment in a community of makers. With the goal of creating space for independent dialogue, exchange, and collaboration within the art and photographic communities, in 2008 I co-founded an independent zine & book press PWP (Pau Wau Publications) that I ran with the designer Brian Paul Lamotte for over 10 years. PWP became our foundation to not only help and actively encourage young image-makers to pursue their own ideas, but also to inspire ourselves in the process.

Prior to retiring PWP in late 2018, pivoting to work on other projects to explore some new directions, since the imprint’s inception we had created 53 unique publications and worked with over 60 artists, as well as participating every year at Printed Matter’s Art Book Fair in both NY and LA since 2011 and 2013 respectively. PWP led us to collaborating and engaging with both Lele Saveri’s 8-Ball Zines and The Newsstand initiatives – our project “Zine Time” (a vending machine that we produced specifically for these endeavors) was acquired and displayed at MoMA’s Ocean of Images: New Photography 2015 exhibit, and subsequently travelled to the Fondation Louis Vuitton in France, on display during the Being Modern: MoMA in Paris 2017exhibition. Both entries included a special one-off event that we curated; allowing visitors to use our vending machine and receive a free unique zine for each event.

With a keen interest in education and pedagogy, I contribute regularly as a visiting artist, class instructor and portfolio critic via inspiring institutions and platforms such as the Fashion Institute of Technology, International Center of Photography, Parsons School of Design at The New School, Pratt Institute, Red Hook Labs & the School of Visual Arts, as well as organizing special zine workshops and collaborations with major galleries such as Gavin Brown’s enterprise and with brands like Converse CONS. In 2017 I mentored a 17-year-old high-school student off-site through their membership at Red Hook Labs, supporting their pursuit and dreams of a future career in photography as well as mentoring one student through their first major photoshoot commissioned by The Women’s National Basketball Association. More recently, also collaborating with Red Hook Labs, I have orchestrated summer workshops for the students in medium and large format photography, culminating in a special zine-making workshop. Additionally, last summer I was honored to lead a photographic workshop for the Red Hook Community Justice Center | Center for Court Innovation in conjunction with their on-going partnership at Red Hook Labs.

I am currently the Artist Educator at Dia:Beacon for the Dia Teens program 2019 ­– 2020, where I liaise with the education directors to formulate a yearlong syllabus, lesson plans and workshops for bi-weekly onsite classes at Dia:Beacon’s learning lab, as well pivoting to develop, research and strategize weekly on-line classes during the COVID-19 pandemic, encouraging at-home assignments and activities as well as a 4-day-a-week summer intensive digital workshop program.

Commercially, I have been privileged to work and contribute to the artistic vision of brands such as Adidas, Burberry, Pierre Balmain & Rag + Bone, and since 2014 my work has been included in three special monographs with the artists Raymond Pettibon(To Wit, 2014), Jordan Wolfson (California, 2015) and Carol Bove (Polka Dots, 2016), all published by David Zwirner Books.

I currently live and work in Brooklyn, New York.

ARTIST STATEMENT:

I have always had a fascination with duration, repetition and longevity, and how they relate to the arc of one’s life. I am curious about what happens to people over time.

Within a photographic context, I have the propensity to attach myself to the people and things that intrigue me; in my photographic meditation on juvenescence, I often create icons of the characters I find myself connected to, ultimately exploring what the transition from youth into adulthood means.

I have always sought to withhold critical objectivity in my work with an attempt and a desire to position myself in a way that creates space for intimacy and empathy between the photographer and the participants involved, whilst somehow amalgamating myself within the imagery itself.

My printed objects – my zines and books – act as a vehicle to compress visual representations of these themes and create an intimate space and proximity in which the viewer can have their own conversation with the work.

I tend to use a variety of instruments and materials to serve my visual language, and though it may be perceived as being (consistently) inconsistent, the methodology of my approach is self-contained within an overseeing arc. Despite the variety of techniques that I employ, at its core, my photography always addresses the same fundamental themes.

Every project is an exercise in trust and collaboration and as such these nuances often determine the way I decide to interpret and create the imagery. My foremost objective is to build relationships within the narrative I am exploring. Some of the questions I explore through my process are: what am I gaining from this experience outside of the photographs themselves? As a human being, where do these explorations take me and what kind of relationships am I fortifying?

With my commercially lead work, I still try to employ these qualities in the work that I produce and am acutely aware of the organising principles and constraints of fusing my work within a commercial context. It has afforded me the opportunity to work with a different frame of mind; to be flexible with my process has been beneficial to me and has encouraged me to grow in many ways.

I see my publishing endeavours as being equally valuable to all my creative facets, and my exploration in all these alternate modes of creativity has nurtured the discovery of my own personality and as an artist.

CURRICULUM VITAE:

Education

• London Guildhall University, BA HONS Fine Art: 2003
• Amersham College of Art and Design, BTEC Diploma Foundation Studies in Art & Design: 2000

Residencies & Fellowships

• The Studio Museum in Harlem, Museum Education Practicum (10-week intensive training program): 2021

Teaching Experience – Visiting Artist, Guest Instructor & Portfolio Reviews

• Fashion Institute of Technology
• International Center of Photography
• Parsons School of Design at The New School
• Pratt Institute
• Red Hook Labs
• Regent’s University London
• School of Visual Arts

Artist Educator & Mentor

• Dia:Beacon AEP Program in Partnership with Rombout Middle School: 2022
• City-As-School (CAS), Winter Cycle 3 in Partnership with Penumbra Foundation: 2022
• The Mentors Program at SVA, BFA Photography and Video: 2021
• City-As-School (CAS), Fall Cycle 2 in Partnership with Penumbra Foundation: 2021
• Dia Teens Program at Dia:Beacon: 2019 – 2021
• Advanced Fieldwork in Art Education Program in partnership with Vassar College at Dia:Beacon: 2021
• BHS (Beacon High School) in Partnership with Dia:Beacon, Online Google Meet Workshops: 2020
• BHS (Beacon High School) in Partnership with Dia:Beacon, Onsite Workshops: 2019 – 2022

Workshops

• Daisie, Interactive Online Workshops, The Portrait: A Career in Photography: 2021
• Daisie, Interactive Online Workshops, The Portrait: An Intimate Act: 2021
• Tasweer Photo Festival Qatar, Zine + DIY Publishing – A Practical Guide, 4-Part Online Workshop Series, Doha, Qatar: 2021
• Agora Gallery, Zine Making + DIY Publishing, 6-Week Online Program, New York: 2021
• Penumbra Foundation, Photobooks: From Concept & Design to Production (with Brian Paul Lamotte), 4-Week Online Program, New York: 2020
• Red Hook Labs, Summer Photography Workshops 2019 (in Medium Format, Large Format & Zine Making), Brooklyn: 2019
• Red Hook Community Justice Center | Center for Court Innovation (in partnership with Red Hook Labs), Photo Workshop, Brooklyn: 2019
• Gavin Brown’s enterprise, Zine Workshop (in conjunction with programming during Latoya Ruby Frazier’s exhibition), New York: 2018
• Converse CONS Project, Zine Making & Printing, New York: 2015
• Santa Fe Photographic Workshops, Teaching Assistant, The Art of the Portrait, Santa Fe: 2007, 2008

Public Talks & Panels

• Society for Photographic Education, Multiple Exposures: A Virtual Conference (sponsored by Ithaca College, NY), Andreas Laszlo Konrath: The Zine as a Vessel: from URL > IRL (using the Web App shrimpzine) Webinar: 2021
• Tasweer Photo Festival Qatar, A Conversation with Andreas Laszlo Konrath and Tasweer’s Artistic Director Charlotte Cotton, Doha, Qatar: 2021
• Photo Book Cafe, Andreas Laszlo Konrath – Shutdown Session Vol.2 (In Conversation on Instagram Live), London: 2020
• MoMA Events, Zines: Collaborations and Publications in NYC, New York: 2017
• 10×10 Photobooks, Salon #19, Collaboration: Publishers and Photographers, New York: 2017

Selected Commissioned Work – Editorial

• BEAT
• Document Journal
• Dossier
• Esquire
• Fast Company
• GQ
• GQ Style
• Guardian Weekend Magazine
• Holiday
• ICON
• i-D
• InStyle
• Interview
• L’Uomo Vogue
• M, Le Magazine du Monde
• Man About Town
• Newsweek
• New York Magazine
• NOWNESS
• Playboy
• Port
• Rolling Stone
• Screen Shot Magazine
• Suddeutsche Zeitung Magazin
• Supplement
• T – The New York Times Style Magazine
• Telegraph Magazine
• The New Yorker
• The New York Times Magazine
• The Wall Street Journal
• Time Magazine
• Twin Magazine
• V Magazine
• Vanity Fair
• Vogue
• W Magazine
• Wired
• Wonderland
• WSJ. Magazine

Selected Commissioned Work – Advertising

• Adidas
• ASICS
• Atlantic Records
• Bloomingdale’s
• Burberry
• Cartier
• David Zwirner Gallery
• David Zwirner Books
• Gavin Brown’s enterprise
• G-Star
• IamSound
• Kenneth Cole
• Mercury Records
• Pierre Balmain
• Rag & Bone
• Sony
• Sotheby’s
• Target
• The RealReal

Selected Published Work – Zines & Books

• The Men’s Fashion Book: Phaidon Editors with an Introduction by Jacob Gallagher (credited as contributor), Phaidon: 2021
• Back in Ink, for Printed Matter’s Virtual Art Book Fair (credited as contributor), 8-Ball Community: 2021
• Andreas Laszlo Konrath, The Quarantine Sessions, Self-Published: 2020
• Pavement Licker No.11, I Am Not A Robot (credited as contributor), Pavement Licker: 2019
• When Etudes Become Form: Paris, New York, and the Intersection of Fashion and Art (credited as contributor), Rizzoli: 2018
• Andreas Laszlo Konrath, Tupsu (V1) – Special Edition, PWP: 2018
• Out of Ink, The Xerox Show – Exhibition Catalogue (credited as contributor), 8-Ball Community: 2018
• Apogee, Issue 10 (credited as contributor), Apogee Journal: 2017
• Zine Time @ Fondation Louis Vuitton (credited as contributor), PWP: 2017
• Andreas Laszlo Konrath, Tupsu (V1), PWP: 2017
• MoMA Reader, Zines: Collaborations and Publications in NYC (credited as contributor), PWP: 2017
• Carol Bove, Polka Dots, David Zwirner Books: 2016
• Dialogues 02: 52 Photographs & 25 Poems (credited as contributor), 205-A (Aaron Stern & Jordan Sullivan): 2016
• Zug Magazine No.11, Ari Marcopoulos – Family (credited as contributor), Innen: 2016
• Zine Tornado, NYABF Sept 16 – 18 (credited as contributor), published by Peter Sutherland + Maia Ruth Lee: 2016
• The Xerox Book (NYC) – Special Edition (credited as contributor), PWP: 2016
• The Xerox Book (NYC) (credited as contributor), PWP: 2016
• Andreas Laszlo Konrath, Names That Have Returned, Self-Published: 2016
• Andreas Laszlo Konrath, III Primes, Self-Published: 2016
• Andreas Laszlo Konrath, Fire Hydrant (PWP x Zean.it Set), PWP & Zean.it: 2016
• The Newsstand, Independently Published Zines, Magazines & Artist Books (credited as contributor) Skira Rizzoli: 2016
• 8-Ball Calendar 2016 – 2017 (credited as contributor), 8-Ball Zines: 2016
• One Year for USA 2016 Calendar (credited as contributor), Lozenup: 2016
• Jordan Wolfson, California, David Zwirner Books: 2015
• Zine Time @ MoMA (credited as contributor), PWP: 2015
• You Can Count on Me (credited as contributor), 205-A (Aaron Stern & Jordan Sullivan): 2015
• Get Weird or Go Home Issue #3, Coasts (credited as contributor), Get Weird or Go Home: 2015
• It’s an Invasion, Exhibition Catalogue (credited as contributor), 8-Ball Zines: 2014
• Pavement Licker No.09, Sorry About the Weather (credited as contributor), Pavement Licker: 2014
• Raymond Pettibon, To Wit, David Zwirner Books: 2014
• Thanks For Nothing, Exhibition Catalogue (credited as contributor), Muddguts: 2014
• Andreas Laszlo Konrath, Anthony No Name at Gmail Dot Com, PWP: 2014
• Flotsam Books Zine (credited as contributor), Flotsam Books: 2014
• Andreas Laszlo Konrath, The Following is for Reference Only, PWP: 2013
• Andreas Laszlo Konrath, Graceland (Zine Time Set), PWP: 2013
• Andreas Laszlo Konrath, If the Kids are United (8-Ball Zine Fair Set #2), PWP & 8-Ball Zines: 2012
• Get Weird or Go Home Issue #2, Adventure (credited as contributor), Get Weird or Go Home: 2012
• Pavement Licker No.07, Finger Lickin’ Good (credited as contributor), Pavement Licker: 2011
• Works in Progress, Exhibition Catalogue (credited as contributor), PWP: 2011
• Andreas Laszlo Konrath, Back to Mystery City, Dashwood Books: 2011
• Andreas Laszlo Konrath, Frank (Muses Volume 1 Set), PWP 2011
• Bare Bones No.6 (credited as contributor), Our Bare Bones: 2011
• Andreas Laszlo Konrath, So Alone I Keep the Wolves at Bay, PWP: 2010
• Bare Bones No.5 (credited as contributor), Our Bare Bones: 2010
• Albert Oehlen, designed by Hans Werner Holzwarth (credited as contributor), Taschen: 2009
• It’s Nice That Issue 1 (credited as contributor), It’s Nice That: 2009
• Andreas Laszlo Konrath, A Lady and Her Barber, PWP: 2009
• Andreas Laszlo Konrath, My Generation, PWP: 2009
• Andreas Laszlo Konrath, Made in Brooklyn, PWP: 2009
• Andreas Laszlo Konrath, J.O.E., PWP: 2009

Selected Solo Exhibitions

• Duckie Brown – The Shop, AS YOU WERE, New York City: 2018
• Picture House, Glitter and Trauma, New York City: 2010
• Susan Maasch Fine Art, My Generation, Portland: 2010
• EXIT Gallery, So Alone I Keep The Wolves At Bay, London: 2010

Selected Group Exhibitions

• The Photocopy Club, The Theatre Courtyard, Ten Years of the Photocopy Club, London: 2021
• Unauthorized Exhibit at a Tenderloin Motel, Die Techie Scum 1 (curated by Katsu), San Francisco: 2020
• PhotoSaintGermain, Horizon Avenue, Paris: 2019
• 98 Orchard St, Untitled 01 – A Group Photography Show, New York City: 2019
• Aperture Foundation Gallery, The New Vanguard Photography Prize, New York City: 2018
• 8-Ball HQ / Super Club, Out of Ink – The Xerox Show, New York City: 2018
• Working Title, Various Small Portraits, Toronto, Canada: 2016
• The LAUNDROMT, The Spring Cleaning, New York City: 2015
• Annenberg Space for Photography, Emerging, Los Angeles: 2015
• Working Title, Now, Toronto, Canada: 2015
• Muddguts, Thanks for Nothing, Brooklyn: 2014
• 205A Gallery, You Can Count On Me, New York City: 2014
• Alfred Gallery, SLIDELUCK Tel Aviv III, Tel Aviv: 2014
• The National Arts Club, It’s an Invasion, New York City: 2014
• The Jane Hotel, Lose/You, New York City: 2013
• Sonos Studio, Cross Process, Los Angeles: 2012
• The Art Center – Highland Park, KIN, Chicago: 2012
• Su Palatu Fotografia, Menotrentuno III Festival, Sardinia: 2011 – 2012
• Ny Tap, Face, Head and Shoulders, Copenhagen: 2011
• Capricious Space, The Show Must Go On, Brooklyn: 2011
• Susan Maasch Fine Art, Stable: Photography 2011, Portland: 2011
• Holiday Bizaar, Works In Progress, Brooklyn: 2010
• Gallery Space, Secrets, Los Angeles: 2010
• Envoy Enterprises, Bare Bones, New York City: 2010
• The Puffin Room, Public Consumption, New York City: 2010
• Center for Photography at Woodstock, Nutopia, Woodstock: 2009
• Heist Gallery, 12 Instances, New York City: 2009
• The J. Vandervoort Werkhaus, Inside The Out, Brooklyn: 2008
• Outrageous Look Gallery, Nobody’s FAMOUS in New York, Brooklyn: 2008
• 1906 Gallery, See/Saw, Austin: 2007
• Emo’s, Everyone Knows Everyone, Austin: 2007
• Pochron Gallery, A Portrait of Fashion, Brooklyn: 2006
• Cide Gallery, London: 2005
• The Place, There Is A Time And A Place, Letchworth: 2004
• Business Design Centre, Fresh Art, London: 2003
• Unit 2 Gallery, Formerly Known As, London: 2003
• Image Gallery, Clearance, Bedford: 2002
• Unit 2 Gallery, Artist’s Book Project, London: 2001

Competitions & Awards

• Document Journal in partnership with Calvin Klein – The New Vanguard Photography Prize, 2018: Shortlisted
• DER GREIF – Guest-Room open submission curated by Siobhán Bohnacker of The New Yorker, “Belonging”, 2018: Final Selection
• AI-AP – American Photography 32, 2016: Winner
• British GQ – The Men of the Next 25 Years, 2013: Winner
• SPD Awards – Photo Cover, 2011: Nominee
• D&AD Awards – Magazine Design Section, 2011: Winner
• PDN Photo Annual – Magazine/Editorial Section, 2011: Winner
• SPD Awards – Fashion/Beauty Photo Single Spread, 2010: Nominee
• SPD Awards – Non-Celebrity Photo Story, 2010: Nominee
• PDN 30, 2008: Winner
• American Photo Emerging Artists, 2007: Finalist

Selected Books & Zines (as Publisher & Editor) – PWP

• Andreas Laszlo Konrath, Tupsu (V1) – Special Edition: 2018
• Nick Sethi, 100% Better Than Original: 2018
• Zine Time @ Fondation Louis Vuitton (Alessandro Simonetti, Andreas Laszlo Konrath, Ari Marcopoulous, Brian Paul Lamotte, Canyon Castator, Carly Mark, Fotine Paura, Francesco Nazardo, Fryd Frydendahl, Harry Malt, Jack Bishop, Jason Polan, Jordan Sullivan, Lele Saveri, Lisa Rovner, Nick Sethi, Peter Sutherland, Robin Cameron, Todd Jordan & Winslow Laroche): 2017
• Lele Saveri, Barricades (credited as editor): 2017
• Andreas Laszlo Konrath, Tupsu (V1): 2017
• MoMA Reader, Zines: Collaborations and Publications in NYC: 2017
• Jordan Sullivan, Ruins: 2017
• Polly Brown, you+me: 2017
• Risograph Poster Set (Coley Brown, David Brandon Geeting, Nina Hartmann, Molly Matalon, Jason Nocito, Jordan Sullivan, Hannah Whitaker, Suzanna Zak) (credited as editor): 2017
• The Xerox Book (NYC) – Special Edition (Alessandro Simonetti, Andreas Laszlo Konrath, Boogie, Lele Saveri, Ray Potes, Sean Maung, Tobin Yelland): 2016
• The Xerox Book (NYC) (Alessandro Simonetti, Andreas Laszlo Konrath, Boogie, Lele Saveri, Ray Potes, Sean Maung, Tobin Yelland): 2016
• PWP x Zean.It (Andreas Laszlo Konrath, Aria McManus, Brian Paul Lamotte, David Brandon Geeting, Elizabeth Jaeger, Maia Ruth Lee, Nick Sethi, Polly Brown) Co-Published with Zean.it: 2016
• Luke Barber-Smith, Masks: 2016
• Muses Volume 5 (Ari Marcopoulos, Francesca Allen, Jody Rogac, Michael Schmelling & Nick Sethi) (credited as editor): 2016
• Daniel Arnold, Nassau Avenue (credited as editor): 2016
• Zine Time @ MoMA (Alessandro Simonetti, Andreas Laszlo Konrath, Ari Marcopoulous, Brian Paul Lamotte, Canyon Castator, Carly Mark, Fotine Paura, Francesco Nazardo, Fryd Frydendahl, Harry Malt, Jack Bishop, Jason Polan, Jordan Sullivan, Lele Saveri, Lisa Rovner, Nick Sethi, Peter Sutherland, Robin Cameron, Todd Jordan & Winslow Laroche): 2015
• Lele Saveri, Landscapes – Special Edition, Co-Published with Dashwood Books: 2015
• Muses Volume 4 (Agnes Thor, Cait Oppermann, Charlie Engman, Ed Templeton & Lasse Dearman): 2015
• David Brandon Geeting, Infinite Power – Special Edition (credited as editor): 2015
• David Brandon Geeting, Infinite Power (credited as editor): 2015
• Karin Schneider, Transitional Line: 2014
• Andreas Laszlo Konrath, Anthony No Name at Gmail Dot Com: 2014
• Polly Brown, Plants (credited as editor): 2014
• Todd Jordan, Harold Hunter: 2014
• Muses Volume 3 (Francesco Nazardo, Fryd Frydendahl, Jen Davis, Jim Mangan & Jordan Sullivan): 2014
• Lele Saveri, Commuters, Co-Published with 8-Ball Zines: 2014
• Andrew Kuo, Linfinite Jest, Co-Published with 8-Ball Zines: 2014
• Nick Sethi & Nathaniel Matthews, Nat Sethi: 2013
• Lenard Smith, A Change of Scenery: 2013
• Andreas Laszlo Konrath, The Following is for Reference Only: 2013
• Santiago Stelley, 3D Etudes: 2013
• Brian Paul Lamotte, 7 foot 7 – Manute Bol: 2013
• Lasse Dearman, Split Second Feeling: 2013
• Zine Time – Special Edition Box Set: 2013
• Zine Time @ The Newsstand (Alessandro Simonetti, Andreas Laszlo Konrath, Ari Marcopoulous, Brian Paul Lamotte, Canyon Castator, Carly Mark, Fotine Paura, Francesco Nazardo, Fryd Frydendahl, Harry Malt, Jack Bishop, Jason Polan, Jordan Sullivan, Lele Saveri, Lisa Rovner, Nick Sethi, Peter Sutherland, Robin Cameron, Todd Jordan & Winslow Laroche): 2013
• Muses Volume 2 (Gavin Watson, Guido Gazzilli, Kajsa Gullberg, Lele Saveri & Tyrone Lebon): 2013
• Alessandro Simonetti, Release – Special Edition: 2013
• Alessandro Simonetti, Release: 2013
• 8-Ball Zine Fair Set #2 (Evan Morris Cohen, Giorgio Di Salvo, Charlie Engman, Richard Kern & Andreas Laszlo Konrath) Co-Published with 8-Ball Zines: 2012
• Nick Haymes, N.E.S.W.: 2012
• Jordan Sullivan, Natural History: 2012
• Lisa Rovner, Poems: 2012
• Muses Volume 1 (Andreas Laszlo Konrath, Brian Paul Lamotte, iO Tillett Wright, Thomas Giddings & Todd Jordan): 2011
• Niall O’Brien, Good Rats: 2011
• iO Tillett Wright, Kisser: 2011
• Works in Progress, Exhibition Catalogue (Andreas Laszlo Konrath, Brian Paul Lamotte, Joshua Zucker Pluda, Luiza Sá, Molly Surno, Pari Dukovic, Simon Howell & Sophie Mörner): 2011
• iO Tillett Wright, Lose My Number: 2010
• Adam Krause, Carnivores & Destructors: 2010
• Andreas Laszlo Konrath, So Alone I Keep the Wolves at Bay: 2010
• Simon Howell, Chinook Winds: 2009
• Thomas Giddings, There’s No Other Place Like This Place Anywhere Near This Place, So This Must Be The Place: 2009
• Andreas Laszlo Konrath, My Generation: 2009
• Andreas Laszlo Konrath, A Lady and Her Barber: 2009
• Brian Paul Lamotte, Michael Joseph Jackson: 2009
• Brian Paul Lamotte, Polaroid: New York City: 2009
• Brian Paul Lamotte, Me and My Uncle: 2009
• Andreas Laszlo Konrath, Made in Brooklyn: 2009
• Andreas Laszlo Konrath, J.O.E.: 2009

Book Fairs, Exhibitions & Public Collections (as Publisher) – PWP

• Zine Time @ Being Modern: MoMA in Paris, Fondation Louis Vuitton (as part of The Newsstand installation by Lele Saveri), Paris: 2017
• Printed Matter’s NYABF, MoMA PS1, Long Island City: 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018
• Printed Matter’s LAABF, MoCA, Los Angeles: 2013, 2014, 2015, 2016, 2017
• San Francisco Art Book Fair, Minnesota Street Projects, San Francisco: 2017
• Yale Art Book Fair, Odds and Ends, New Haven: 2014, 2015
• PMF (Publications and Multiples Fair), Baltimore Design School, Baltimore: 2015
• Philadelphia Art Book Fair, PPAC, Philadelphia: 2015
• Zine Time @ Ocean of Images: New Photography 2015, MoMA (as part of The Newsstand installation by Lele Saveri), New York City: 2015
• ICP Triennial, MoMA Library, The Getty Research Institute, The Metropolitan Museum of Art Library & The Yale University Library