EVERGON, ‘Bobo & Self en Rouge/Red Dots’ 1985, Coloured Polaroid Polyptych
EVERGON, ‘Bobo & Self en Rouge/Red Dots’ 1985, Coloured Polaroid Polyptych — 6 Prints, Each Print 8 x10 inches, Appraised in 1997, Framed.
Acquired directly from artist. Framed profesionally with museum glass. Frame Measures 24 width x 39 height (inches). Private Collection.
Appraised at $2500 (in 1997)
International Shipping Available / conditions apply due to glass.
ARTIST INFO:
Evergon
Evergon, photographer (b at Niagara Falls, Ont 1946). The artist abandoned his birth name at the beginning of his professional career. He received a Bachelor of Fine Arts from MOUNT ALLISON UNIVERSITY in Sackville, NB, in 1970, and an MFA from the Rochester Institute of Technology in 1974. Since that time Evergon has achieved an international reputation as an artist and teacher, especially for his use of an extensive range of traditional and innovative photographic techniques. These range from exploration of long-neglected historical printing techniques through his pioneering use of colour photocopying, Polaroid photography and holography. His works are in the collections of major museums in Canada and abroad.
Exotic Props
A constant through all of Evergon’s various explorations of photographic media has been a preoccupation with their imaginary rather than documentary possibilities. Through his staging of models and exotic props or by means of collaged images, Evergon has created tableaux resembling more the traditions of European painting than the conventions of photography. Another distinguishing factor has been his equally painterly interest in colour throughout much of his career. Like many artists, Evergon works through successive motifs expressed in specific techniques or formats in bodies of related works that often occupy several years’ duration.
The artist’s early work with nonsilver photographic printing techniques, such as the cyanotype, was followed by his collage work with colour photocopying. His work with composite Polaroid images of the early 1980s was superseded by his pioneering use of a unique large-format Polaroid camera at the Boston Museum of Fine Arts producing 1 x 2 m prints. This format led to increasingly theatrical arrangements of lighting, costume, models and props in reworkings of Renaissance and Baroque paintings, subsequently an exploration of circus motifs. Other themes have included tableaux documenting an imaginary race of “Ramboys,” half satyr and half urban hustler, and an exploration of gay cruising grounds called “Manscapes.” Recently, the artist has created a series of over life-size nudes images of his mother titled “Margaret & I” and another series, called “Chez Moi: Domestic Content,” incorporates self-portraits combined with personal memorabilia.
Diverse Sexualities
A consistent preoccupation of the artist has been a candid and, at its origin, audacious exploration of his homosexuality. An early participant in the Canadian gay rights movement, Evergon played a major role in initiating a positive and open climate within Canadian cultural institutions towards presentations of diverse sexualities. Although much of his work is characterized as homoeroticism, his exploration of his own sexuality has led to an ongoing exploration of the social construction of gender, particularly of masculinity, although he has also consistently worked with women models. His forthright representation of sexual subjects has won an enthusiastic audience within and beyond the gay community, as well as detractors who see his work quite correctly as an attack on the conservative values which they cherish.
During the Saskatoon exhibition of an itinerant retrospective of his work from 1971 to 1987, organized by the Canadian Museum of Contemporary Photography in 1989, Evergon and his images became the focus of impassioned debate on artistic freedom of expression, community standards and the autonomy of publicly funded cultural institutions. Highly idiosyncratic, Evergon’s work is nonetheless very accessible. Popular without being populist, his work continually explores contemporary social issues within the discourse of a profoundly subjective imagination.
MORE:
A Montreal-based artist, Evergon (born “Albert Lunt” and since a.k.a. Celluloso Evergonni, Eve R. Gonzales, Egon Brut) has explored gay culture, sexuality, and the body. In Broken Egg Collection, he has created an upside-down self-portrait that nestles below a photograph of a bare-chested former lover. The two images are collaged so they appear linked by the white fabric that flows from one image into the other. Evergon surrounds the two black and white figures with photocopied image fragments to evoke rather than explain memories of the relationship.1 This work is representative of his oeuvre, one that is pivotal in the history of queer art in Canada.
Evergon grew up in Niagara Falls, and he first learned to photograph using an old camera while studying at the Rochester Institute of Technology.2 Throughout his career he has experimented with various techniques and technologies, mostly involving the hand of the artist, including cyanotype, gum bichromate, photo collages, holograms, and xerography, to create a queer historical record and visual language. He has become well known for his hands-on, technical approach.
In the 1980s, Evergon turned to Polaroid for its flexibility and instantaneous prints, often collected together as a fragmented grid of a single scene, such as in Duck over Pierre, 1982. Later, he became known for large-scale prints in which he recreated dramatic historical paintings, incorporating his own likeness. In Le Pantin, 1985, he operates the puppet strings. These mural-size works also employed Polaroid technology, but they required the use of a specialized large-scale camera maintained by the manufacturer in Boston. Some of Evergon’s lush theatrical colour photographs reference specific paintings, such as Re-enactment of Goya’s Flight of the Witches, ca 1797–98, 1986, while others take up tropes from the work of figures like Baroque painter Michelangelo Merisi da Caravaggio (1571–1610).
Evergon’s work has been widely exhibited in Canada and internationally, with the support of the Polaroid Corporation, the Canada Council for the Arts, and the Cartier Foundation for Contemporary Art, among others. He taught photography at the University of Ottawa and has been at Concordia University since 1999.
EVERGON
2023 Governor General’s Awards in Visual and Media Arts, National Gallery of Canada, Ottawa
2023 Toronto Art Fair, Ellephant, Toronto
2023 Christmas Spice, Paul Petro Gallery, Toronto
2024 50th Anniversary of the Department of Visual Arts at the University of Ottawa, Ottawa Art Gallery, Ottawa
2024 two-person show with Leslie Reid and Evergon, Galerie St. Laurent + Hill, Ottawa
2024 Mango to Rio, Ellephant, Montreal
See more by the artist:
Evergon
Né / Born in Montréal 1946, Niagara Falls, ON | Vit et travaille / Lives and works in Montreal, Qc.
FORMATION | EDUCATION
1974 Master en Arts Visuels, Rochester Institute of Technology, New York
1970 BA en Arts Visuels, Mount Allison University, Sackville, NB
EXPOSITION À VENIR | UPCOMING EXHIBITION
2023 Governor General’s Awards in Visual and Media Arts, National Gallery of Canada, Ottawa
2023 Toronto Art Fair, Ellephant, Toronto
2023 Christmas Spice, Paul Petro Gallery, Toronto
2024 50th Anniversary of the Department of Visual Arts at the University of Ottawa, Ottawa Art Glalery, Ottawa
2024 two-person show with Leslie Reid and Evergon, Galerie St. Laurent + Hill, Ottawa
2024 Mango to Rio, Ellephant, Montreal
EXPOSITIONS INDIVIDUELLES | SOLO EXHIBITIONS (sélection depuis | selection since 1990)
2022 Evergon : Theâtres de l’intime / Theatres of Intimacy, Musée national des beaux-arts du Québec
2022 Nitty Gritty: Male Toilet Angst, Galerie Ellephant, Montréal (Québec)
2013 Bart & Evergon, David laRiviere, Paved Arts, Saskatoon
2012 Shanghaied : Barking Dogs Boys. Silent Koi, St. Laurent plus Hill, Ottawa
2011 Shanghaied : Barking Dogs Boys. Silent Koi, Galerie Trois Points, Montréal
2009 Passion Plays, Galerie Verticale, Laval
A Sailors Lament: Photographs, video and text, Galerie Trois-Points, Montréal
A Sailors Lament: Photographs, video and text, Galerie St-Laurent + Hill, Ottawa
2006 XXX/L, St-Laurent + Hill, Ottawa
XXX/L, Galerie Trois Points, Montréal
2004 Il Ponte, Rome, (Italy)
Evergon, Edward Day Gallery, Toronto
2003 Aires de seduction, Galerie d’art de l’Université du Québec à Chicoutimi
New Works: Margaret Flying, Galerie St-Laurent + Hill, Ottawa
Manscapes, SPIN Gallery, Toronto
Margaret & I, Stride Gallery. Calgary, AB /Galerie St-Laurent + Hill, Ottawa
2002 Love-moi / Glove-moi, SPIN Gallery, Toronto
Margaret & I, Edward Day Gallery, Toronto
2001 Margaret & I, Galerie Trois Points, Montréal
Evergon, New Works, Galerie St-Laurent + Hill, Ottawa
Virtual Museum of Quebec Photography, Vox, Montréal
1999 Manscape & Artefacts, Galerie Trois Points, Montréal
Evergon: An Aesthetic of the Perverse, Australian Centre for Photography, Sydney, (Australia)
Evergon: Ramboy Suite, Galerie St-Laurent + Hill, Ottawa
1998 Cowboys and Fairies, Galerie Trois Points, Montréal
Manscapes and Manscape Men, Waygood Gallery, New Castle, (UK)
Ramboys, Zone Gallery, New Castle, (UK)
Male (a)muses: Evergon Curates, The National Museum of Photography, Film and Television, Bradford, RU
1997 Evergon: Ramboys. Bienal Internacional de Fotografía, Fotonoviembre Tenerife, (Spain)
1996 Le Groupe de la Place Royale -The Dancer Portfolio, Centre national des arts, Ottawa
Le Groupe de la Place Royale – The Dancer Portfolio, Galerie L’Autre Équivoque, Ottawa
1995 Ramboys Series, Galerie Trois Points, Montréal
Ramboys: A Bookless Novel and Other Fictions, Art Court, Ottawa
Evergon: Ramboys: A Bookless Novel, Galerie L’Autre Équivoque, Ottawa
Evergon: Ramboys, Genereux Grunwald Gallery, Toronto
Ramboys: A Bookless Novel, Photography Gallery, Rochester Institute of Technology, Rochester, NY
1993 Evergon, Genereux Grunwald Gallery, Toronto
Ramboys, Le Mois de la photo: Vox Populi & Art 45, Montréal
1992 Evergon, Galerie Verticale, Québec
Evergon, Galerie L’Autre Équivoque, Ottawa
1991 The Trilogy of the River…and Other Mythologies, Art Court, Ottawa
Evergon 1971-1987, Foto Gallery, Cardiff, Wales, (UK)
Evergon 1971-1987, The Royal Photographic Society, Bath (UK)
The Mythologies of the Rivers, Interference Hologram Gallery, Toronto
Evergon, Galerie Verticale, Québec
1990 Evergon, Richard Feign Gallery, Chicago (USA)
Evergon, Art 45, Montréal
Evergon: Recent Polaroids, Jack Shainman Gallery, New York
Evergon 1971-1988, The Edmonton Gallery, Edmonton (AB)
Evergon 1971-1988, The Nickel Arts Museum, Calgary (AB)
Evergon 1971-1988, Frankfurtur Kunstverein, Frankfurt am Main (Germany)
Evergon 1971-1988, Canada House Cultural Centre, London (UK)
Le Cirque, Galerie L’Autre Équivoque, Ottawa
EXPOSITIONS DUO | DUO EXHIBITIONS | CHROMOGENIC CURMUDGEONS (EVERGON – RINGUETTE)
2022 Confabulations / ROCOCO, Galerie St-Laurent + Hill, Ottawa (Ontario)
2022 Two Old Friends Play Chess, Galerie Espace f, Matane (Québec)
2020 Making the Beast by Two, Galerie St-Laurent + Hill, Ottawa (Ontario)
2019 Two Old Friends Play Chess, VU Centre de diffusion et de production de la photographie, Québec, Québec
2018 Two Old Friends Play Chess, Volta NY, New York City, USA
2017 Two Old Friends Play Chess, dc3 Art Projects, Edmonton, Alberta
Housebound: Cut, Uncut and Broke, Galerie St-Laurent + Hill, Ottawa, Ontario
Housebound : Portraits from the Winter Garden, Galerie Trois Points, Montréal, Québec
2016 Two Old Friends Play Chess, Galerie Trois Points, Montréal, Québec
EXPOSITIONS DE GROUPE | GROUP EXHIBITIONS (sélection depuis | selection since 2000)
2023 The Look: Levine, Léonard, Evergon, Galerie Ellephant, Montréal (Québec)
2023 No Direction Home – presented by Mes Pants de Queer, curated by Antonie Vogler & Dustin Ariel Segura Suarez
2023 Hochelag Queer et NU.ES, curater: Jonathon Sardelis & the NU.ES Collective la Maison de la culture Maisonneuve
2023 L’atelier comme création. Hisoires des ateleliers d’artistes au Québec, curated by Laurier Lacroix, Musée d’art de Joliette
2019 Le tirage unique, La Castiglione – Photographie / Galerie d’art contemporain, Montréal (Québec)
Que disent les plantes / Commissaire Marie Perrault, Galerie d’art Stewart Hall, Pointe-Claire (Québec)
School of the Photographic Arts, Ottawa, Ontario
The 80s Image, Winnipeg Art Gallery, (MB)
2019… Le projet Polaroid – Art et technologie / McCord Museum, Montréal (Québec), Vienna, Hamburg, Berlin, Singapore and Cambridge (MIT Museum, 2020)
2017 The Polaroid Project, WestLicht Museum for Photography, Vienna, Austria
Les cabinets de curiosités LGBTQ+ / Commissaire Claude Gosselin (CIAC), UQÀM, Montréal (Québec)
Le temps file, Musée national des beaux-arts du Québec, Québec
La photographie au Canada 1960-2000, Musée des beaux-arts du Canada, Ottawa
2015 Incarnations, Musée national des beaux-arts du Québec, Québec
2014 Cas de figure, Galerie Trois Points, Montréal
Over the Rainbow: Seduction andd Identity.From the collection of Salah and Jacob Yerex, MOCCA, Toronto, Canada
On The Edge 10×10, James Fowler, Gladstone Hotel, Toronto, Canada
2013 Chacun montre à chacun, Galerie Trois Points, Montréal
Our Families: The impact of Contemporary Family on Art. dc3 Art Projects, Edmonton
Heart of the Moment: Selections from the Permanent Collection. Curated by Ola Wlusek, Curator of Contemporary Art, Ottawa Art Gallery, Ottawa, Ontario
2012 Lament, Platform Centre for Photographic + Digital Art, Winnipeg (MB)
2011 Mens-moi / Please Lie To Me, Art Mûr, Montreal
2010 Art Montréal Contemporary, presentation de l’AGAC, Time Square, Shanghai, China
2009 Vendu/Sold, Insights into Collecting and the Art Market, Les editions Esse, Montréal, QC
Edward Day Gallery, Toronto
Galerie Verticale, Laval (QC)
2008 Collectionner l’art, Maison de la Culture Villeray – Parc Extension, Montréal
St. Laurent + Hill, Ottawa
The Big Gift, Glenbow Museum, Calgary (AB)
Décoratif! Décoratifs! Quatre questions autour du décoratif dans l’art québécois, Musée régional de la Côte-Nord, Sept-Îles (QC)
Centre d’exposition d’Amos, Amos (QC)
Musée des Beaux Arts, Montréal (QC)
2007 Musée d’art de Joliette, Joliette (QC)
Centre d’expositon de l’Université de Montréal, Montréal
Musée d’art contemporain des Laurentides, Saint-Jérôme (QC)
Is it Baroque? Investigating The WAG Collection, WAG, Winnipeg (MB)
2006 Exhibiton of Gallery Artists, (International Art Fair) Edward Day Gallery, Toronto
Décoratif! Décoratifs? Quatre questions autour du décoratif dans l’art québecois, Centre culturel Yvonne L. Bombardier, Valcourt, QC / Centre d’exposition de Shawinigan
Historical Retrospective of Canadian Photography, curated by Penny Cousineau-Levine, Jack Shainman Gallery. New York
Polaroid Collection, Alinari Museum, Florence, (Italy)
Heteropia: Works from the Contemporary Collection, Ottawa Art Gallery, Ottawa
Cross-Over: Selections from the Canada Council Art Bank Collection, Station Gallery, Whitby, ON
Hexagram Inauguration, Concordia University EV Bldg., Montréal
In Dialogue, Lee Ka-sing Gallery, Toronto
Acting the Part, National Gallery of Canada, Ottawa
Le Corps gay, Traveling Tour: Écomusée du fier monde, Montréal
2005 Cynicisme, Gallerie VU, Québec
2004 Local Scene : 2003 Acquisitions, City Hall Art Gallery, Ottawa
Dislocation, Fringe Club, Hong Kong
That Obscure Object of Desire, Cambridge Galleries, Cambridge, ON
Le Corps gay, Travelling Tour
2003 Acquisitions, City Hall Art Gallery, Ottawa
TIAF, Convention Centre, Toronto, ON (Galerie Trois Points, Montréal, QC)
Porcelaine. Carte grise à Evergon, Dazibao, Montréal, QC
Confluence. La photographie canadienne contemporaine, Musée canadien de la photographie, Ottawa
2002 The Affordable Art Fair, Pier 92, New York
TIAF, Convention Centre, Toronto
Le Corps gay, Centre d’exposition du Vieux-Palais, Saint-Jérôme (QC)
VéhiculTe, Galerie Art Mûr, Montréal
Art-Throb – The Culture of Obsession, Galerie Articule, Montréal
2001 TIAF, Convention Centre, Toronto, ON (Galerie Trois Points, Montréal, QC)
Growth & Risk, The Courtyard Gallery, New York, NY
The Power of Reflection, Galerie Liane et Danny Taran, Centre des Arts Saidye Bronfman, Montréal
Taking on Colour: Technique in Colour Photography, Canadian Museum of Contemporary Photography, Ottawa
La nature des choses, Musée du Québec, Québec
Argument, S.P.I.N. Gallery, Toronto, ON / Centre d’exposition du Vieux-Palais, Saint-Jérôme, QC / Centre d’exposition de Val d’Or, QC / Centre national d’exposition, Jonquière / Musée régional de la Côte-Nord, Sept-Iles, QC / Musée minéralogique et minier de Thetford Mines, QC
Typical Men, Recent Photography of the Male Body by Men, Djanogly Art Gallery, University of Nottingham, UK
2000 TIAF, Convention Centre, Toronto (Galerie Trois Points, Montréal, QC)
Then & Now, Bradford Gallery, Cartwright Hall, Bradford (UK)
Sexmutant, The Nunnery, London (UK)
Faculty of Fine Arts Exhibition, Leonard & Bini Ellen Art Gallery, Concordia University, Montréal
Passart, Centre d’exposition de Rouyn-Noranda (QC)
Début de collection, Galerie Art Mûr, Montréal
PUBLICATIONS (selection)
2023 Actualité: Expositions, Ellephant, Nitty Gritty: Male Toilet Angst, Karl-Gilbert Murray, Ciel Variable magazine #124
2023 Ainsi Parlait Evergon, Didier Morelli, Spirale magazine #282
2023 A Promise of Heaven : One Genealogy of Porn-Informed Image-Making by Gay Artists, Peter Dubé, Espace art actuel magazine #134
2022 Exhibition catalogue Evergon : Theâtres de l’intime / Theatres of Intimacy, Publisher Musée national des beaux-arts du Québec
LE SOLEIL
Reportage de Léa Harvey
https://www.lesoleil.com/2022/10/19/evergon-lintime-sous-toutes-ses-coutures-79702d83e7f4d88f2d16969c02530894
LE JOURNAL DE QUÉBEC
Reportage de Sandra Godin
https://www.journaldequebec.com/2022/10/19/erotisme-et-sensualite-au-musee-des-beaux-arts
ICI RADIO-CANADA
C’est encore mieux l’après-midi
Reportage de Tifa Bourjouane
https://ici.radio-canada.ca/util/postier/suggerer-go.asp?nID=4870600
ICI RADIO-CANADA
Le téléjournal Québec
Reportage de Valérie Cloutier
https://ici.radio-canada.ca/tele/le-telejournal-quebec/site/segments/reportage/419346/valerie-cloutier-evergon-mnbaq
ICI RADIO-CANADA
Info
Reportage de Valérie Cloutier
https://ici.radio-canada.ca/info/videos/1-8679870/exposition-evergon-theatres-intime
ICI RADIO-CANADA
L’heure du monde
Reportage de Claude Brunet
https://ici.radio-canada.ca/util/postier/suggerer-go.asp?nID=4870607
TVA
Le TVA nouvelles de Québec
Reportage de Pascale Robitaille
Aller vers la vidéo : Québec – Le TVA Nouvelles de 17h30 du 19 octobre 2022
Visionner à : 13 :35
https://www.tvanouvelles.ca/emissions/le-tva-nouvelles
ICI RADIO-CANADA
Première heure
Reportage de Patricia Tadros
https://ici.radio-canada.ca/util/postier/suggerer-go.asp?nID=4870592
QUÉBEC HEBDO
Reportage de Mona Le chasseur
https://www.quebechebdo.com/actualites/321685/nudite-sensualite-et-coquineries-au-mnbaq/
VIE DES ARTS
https://viedesarts.com/evenements/evegon-theatres-de-lintime/
FUGUES.COM
Par Étienne Dutil
https://cutt.ly/yB076er
PRESSREADER
https://www.pressreader.com/canada/fugues/20221001/282368338548344
PORTAIL DU GOUVERNEMENT DU QUÉBEC
https://www.quebec.ca/nouvelles/actualites/details/evergon-theatres-de-lintime-passer-de-lexaltation-a-lenchantement-en-photographie-43565
MON MONTCALM
Evergon théâtre de l’intime
BONJOUR QUÉBEC
https://www.bonjourquebec.com/fr/fiche/evenements/grandes-expositions/evergon-theatres-de-lintime-500013938
https://www.bonjourquebec.com/en-ca/listing/events/major-exhibitions/evergon-theatres-of-the-intimate-500013938
QUÉBEC VACANCES
https://www.quebecvacances.com/sorties/evergon—theatres-de-lintime-21253
QUOI FAIRE AU QUÉBEC
https://quoifaireauquebec.com/fr/le-mnbaq-l-incontournable-destination-culturelle
QUEBEC GETAWAYS
https://www.quebecgetaways.com/events/columns/featured-events/evergon-at-the-musee-national-des-beaux-arts-du-quebec-3144
QUÉBEC CITÉ
https://www.quebec-cite.com/fr/quoi-faire-quebec/evenements/evergon
FLICKR
Photoreportage de Lise Breton
YAHOO! FINANCE
https://cutt.ly/iB2qlcf
MUTUALART
https://www.mutualart.com/Exhibition/Evergon–Theatres-of-the-Intimate/2CE5CCBF59B42B8A
JOB AMONG
https://jobamong.in/evergon-theatres-of-the-intimate-expertise-the-gamut-of-feelings-from-elation-to-enchantment-by-means-of-images/CKIA
THE BOBR TIMES
PAR Rob Wilson
https://bobrtimes.com/eroticism-and-sensuality-at-the-museum-of-fine-arts/
2018 Hills, Matthew, Two Chromogenic Curmudgeons: Jean-Jacques Ringuette & Evergon, in BlackFlash, Vol. 35 Issue 1, January-April 2018
2017 Murray, Karl-Gilbert, Compte rendu de l’exposition Housebound : Portraits from the Winter Garden, in Ciel Variable, No 107, Automne 2017
2016 Dietschy Natalie, « Le Christ: Au miroir de la photographie contemporaine », Editions Alohil-Presses Universitaires Suisse. pp 98-101.
2014 James Fowler, « On The Edge 10×10, 100 Portraits Celebrating Queers in the Arts by 10 Queer Photographers », Gladstone Hotel, Toronto, pp. 45 – 53.
2012 JJ Kwgan McFadden, « Palimpsest », PLATFORM centre for photographic + digital arts, Winnipeg, pp. 158 – 183.
2010 Borys, Stephen. «Winnipeg Art Gallery: Guide to the Collection ». Winnipeg Art Gallery. 2010. pp 162
Anne Whitelaw, Brian Foss and Sandra Paikowsky, « The Visual Arts in Canada: The Twentieth Century ». Oxford University Press. Canada. 2010. pp 293-301-420
AGAC. « Contemporary ART MONTREAL Contemporain »; Time Square, Shanghai. 2010
2009 Vendu/Sold, « Insights into Collecting and the Art Market », Les éditions Esse, Montréal, QC 2009. pp.164-165-213
Murray, Karl Gilbert, « Passion Plays », Galerie Vertical, Laval, QC. 2009. 2 catalogue 2009
2008 Bloom, Glen A. and Falvey, Emily. « Collections: Contemporary Art Collection ». The Ottawa Art Gallery, Ottawa, ON. 2008. pp. 2 & 30.
2007 Borhan, Pierre. « Hommes pour Hommes: Homoérotisme et homosexualité masculine dans l’histoire de la photographie depuis 1840 ». Edition des 2 Terres, France. 2007. p273
‘XXX/L: Inkjet by Evergon’. « Zivel: Overground against Monoculture » – #28 Queer Issue. Praha, Czechoslovakia. 2007.
2006 Ralickas, Eduardo. BlackFlash, vol. 24. “The Gospel according to Evergon: Porn, Cynicism and the Aesthetics of Christianity”. Saskatoon, Sask. 2006. pp. 8 – 19 and cover
Camilleri, Maryanni. Carte Blanche: Photography 1. The Magents Foundation, Toronto, Canada 2006, p.47
Pauli, Lori. « La photographie mise en scène: créer l’illusion du réel ». National Gallery of Canada,Ottawa, 2006, p.59
Cousineau-Levine, Penny. «Faking Death, Canadian Art Photography and the Canadian Imagination», Montréal, Qc.
2003 Weiermar, Peter, D’après. Da Anzinger a Warhol, Gas Art Gallery, Torino, Italy, 2003
Evergon, Porcelaine, «Carte grise à Evergon», Dazibao, Montreal, Qc, 2003
Franklin, David. «Treasures of the National Gallery of Canada», Ottawa, Canada, 2003.
Hanna, Martha, Confluences, Contempory Canadian Photography, CMCP, National Gallery of Canada, Ottawa, On., 2003
2002 Le miroir d’Evergon, Jacques Doyon, Ciel Variable magazine #582002 Balcaen, Jo-en & Hobbs, Peter. Art Throb, «The culture of Obsession», Articule, Montréal, Qc 2002.
COLLECTIONS
National Gallery of Canada, Ottawa, Canada, Musée national des beaux-arts du Québec, Québec, Canada, Canadian Museum of Contemporary Art, Ottawa, Canada, The Photographers’ Gallery, Saskatoon, Saskatchewan, Canada, The Western Front, Vancouver, Canada, Carole Tannebaum Collection, Toronto, Canada, International Museum of Photography, George Eastman House, Rochester, New York, USA, Polaroid American Collection, Cambridge, Massachussets, USA, Polaroid International Collection, Frankfurt, Allemagne, Art Gallery of Hamilton, Hamilton, Ontario, Canada, Art Bank, Canada Council, Ottawa Council, Ottawa, Canada, City of Ottawa Collection, Ottawa, Canada, Fondation Cartier pour l’Art Contemporain, Jouy-en-Josas, France, M. Anwar Karmal Collection of Art Modern & Contemporain, Jacksonville, Floride, USA, Owens Art Gallery, Sackville, Nouveau-Brunswick, Canada, Concordia Art Gallery, Montreal, Canada, Jack Shainman Collection, New York, USA, Firestone Collection, Art Court, Ottawa, Canada, Musée du Québec, Québec, Canada, Princeton Collection, Princeton, New Jersey, USA, Musée de la Photographie, Charleroi, Belgique, Vancouver Art Gallery, Vancouver, Canada, Musée de l’Élysée, Lausanne, Suisse, Musée d’art Contemporain, Montréal, Canada, Winnipeg Art Gallery, Winnipeg, MB, Canada, National Museum of Photography, Film and Television, Bradford, Angleterre, Collection Prêt d’oeuvres d’art du Musée national des beaux-arts du Québec, Ville d’Ottawa, Four Seasons Hotel, Montreal, Canada & Guy Bérubé, collector & curator, Ottawa, Canada.