‘Ravishing Beasts, The Strangely Alluring Book of Taxidermy’ Exhibit Catalogue 2010

Ravishing Beasts, The Strangely Alluring Book of Taxidermy, Catalogue for the exhibit by the same name at Museum of Vancouver, Canada, Oct 2009 – Feb 2010, Curated by Rachel Poliquin, 7.5 x 7.5 inches, 56 pages.

Asking $30.

RAVISHING BEASTS

Displaying the Museum of Vancouver’s extensive collection of taxidermy for the first time in decades, Ravishing Beasts investigates the provocative and strangely alluring world of taxidermy.

Whether a hoarding of exotic curiosities, a scientific archive, a hunting trophy, or a stuffed pet, taxidermy always exposes longings to capture animals and tell stories about their significance within human lives.

The exhibition confronts viewers with the visual power of taxidermy. It invites us to examine taxidermy’s cultural aesthetic, scientific history, and revival in art and design, and to question the legacy, current value, and future relevance of the practice.

Exhibit in English and French

guest curator Rachel Poliquin, exhibit design Kevin McAllister, exhibit graphics Burnkit

*No animals were harmed for this exhibition. Most of the taxidermy that will be on exhibit is from the Museum’s own collection and was acquired primarily between 1894 and 1950 from Vancouver residents.

EXHIBITION: RAVISHING BEASTS

The Strangely Alluring World of Taxidermy
October 21, 2009 – February 28, 2010

Curator: RACHEL POLIQUIN
Exhibition Designer: KEVIN McALLISTER

Displaying over a hundred animals from the Museum of Vancouver’s collection of taxidermy for the first time in decades, Ravishing Beasts: The Strangely Alluring World of Taxidermy investigates the ravishingly provocative world of taxidermy.

With a few additions, the animals in Ravishing Beasts are from the Museum of Vancouver’s own natural history collection. Almost no information is known about them except that they were donated by Vancouver residents. Most were on public display until the Museum moved from the top floor of the Carnegie Library at Main and Hastings to its current location in 1968. In part due to space constraints, in part due to a diminishing appreciation for taxidermy, the animals were put into storage and have lingered under plastic for the last half century.

This weird lurking in the basement provides a fascinating opportunity to question taxidermy’s the legacy, current value, and future relevance both within and beyond museum culture. Whether a hoarding of exotic curiosities, a scientific archive, a hunting trophy, or a stuffed pet, taxidermy always exposes longings to capture animals and tell stories about their significance within human lives.

Taxidermy allows viewers to get closer to animals than they ever could in life or on television. The exhibition draws on this visual and visceral intimacy and invites visitors to examine taxidermy’s scientific history, its ethics and aesthetics, its contemporary revival in art and design, and its use as an educational tool.

The exhibit includes a small display of contemporary artists who use taxidermy in the art. On display is are pieces by the Dutch duo known as Idiots, French artist Pascal Bernier, Vancouver artist George Vergette, and a video by John Bland of Iris Schieferstein’s work that combines animal parts to create hybrid creatures. Also on display is a video from the Field Museum of Natural History from the 1950s documenting the making of a habitat diorama, a film by Michael Mills documenting the museum’s conservationists cleaning and repairing all the animals for display, and an installation by Shirley Wiebe highlighting the beauty of fluid preserved specimens.

The Gentle Art of Museum Conservation

art + objets d'arts + photography